Page: 
Source: 
p. 5, b. 104-124
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
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Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 121-123

In A there are no  restoring e3 in bar 121 and lowering d2 to d2 in bar 122 and on the penultimate quaver in bar 123, as well as g1 to g1 in bar 123. All the missing accidentals were added in GE (→FE,EE,IE).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves, Omissions to cancel alteration, GE revisions, Omission of current key accidentals, Errors of A

notation: Pitch

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1