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p. 5, b. 104-124
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The version of the editions can be regarded as justified and considered an acceptable variant – in A the discussed bar opens a new line, and it cannot be ruled out that Chopin forgot to write accents there. In the main text we keep the A notation, as the accents in the preceding bar can be considered models for the entire ascending sequence; moreover, taking into account the crescendo, a performance featuring accents is obvious.
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category imprint: Differences between sources
issues: GE revisions
notation: Articulation, Accents, Hairpins
Missing markers on sources:
A, EE2, EE1, IE1, GE1, FE1