Page: 
Source: 
p. 4, b. 76-103
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
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GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 96-97

In both bars the  to A1 is written in A just below the stave, hence at the pitch of F or E. Chopin was probably adding these accidentals later and put them at a distance from the noteheads so that they do not blend in with the ledger lines, firmly convinced that in this context it would not lead to any misunderstanding.

Compare the passage in the sources»

category imprint: Source & stylistic information

issues: Accidental below/above the note, Inaccuracies in A

notation: Pitch

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1