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p. 4, b. 76-103
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
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GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 85-89

B in L.H. & R.H. in A

B in L.H. only in GE (→FE,EE,IE)

In the main text we keep the notation of the last chord in bar 85 and 89 used in A, in which the B note belongs – at least according to the notation – to the parts of both hands. The simplified notation introduced by GE (→FE,EE,IE) corresponds to the actual performance, but it obliterates the sequence of the R.H. bottom voice, which Chopin apparently wanted to show precisely.
Similarly, in bar 97 and 101.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Rhythm

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1