Page: 
Source: 
p. 18, b. 374-399
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
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Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 391-392

Crotchets e1e1c1-e1bg, in A

Crotchets e1-a1e1-g1e1bg, in GE

Crotchets e1e1e1bg, in FE, EE, IE

Crotchets e1-a1e1-g1c1-e1b-d1g-b, our alternative suggestion

In the main text we literally interpret the A notation of the last 5 pairs of quavers. According to us, however, it is likely that four of them are written inaccurately. It is indicated by the notation of the 2nd figure in bar 392, in which both notes of the c1-e1 third were prolonged to a crotchet, and not only the bottom one, as in the remaining ones. It is more natural, both musically and pianistically, hence we suggest the version with analogously prolonged notes in all figures as an alternative solution. The versions of the editions resulted from the arbitrary revision of the A notation (by GE) and of the GE notation (by the remaining editions). 

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, Inaccuracies in GE, FE revisions,

notation: Rhythm

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1