Page: 
Source: 
p. 9, b. 183-207
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 205

Crotchet f1 in A, probable interpretation

Crotchets g1 f1 in A, possible interpretation

No crotchets in GE (→FE,EE,IE)

The little vertical line visible in A close to the g1 quaver could be the first of a series of additional crotchet stems prolonging the top notes of the broken L.H. octaves. However, according to us, it is more likely that this series starts from f1, which draws our attention to the harmonic sequence, which becomes more functional from this place on – two perfect cadences in C minor and a modulation to G. The omitted crotchet stem to f1 in the editions is most probably a mistake.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Errors in GE, Inaccuracies in A

notation: Rhythm

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1