Page: 
Source: 
p. 1, b. 1-24
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 12-14

In A there is a  to f2 in bar 12, which was added in pencil by a foreign hand. Similar accidentals are also in the L.H. part in bars 13-14, in which the omitted accidentals to the bottom octave notes were added (B1, B1, A, A1, A1), yet the top note of the last octave in bar 14 (a) was left without an accidental. It remains unclear who, when and why added them, as these additions include only a small fraction of the accidentals omitted by Chopin and added in GE, which rather rules out the natural assumption that it was the reviser of that edition. We do not consider these accidentals to be a part of A and do not reproduce them in the transcriptions of this source.

Compare the passage in the sources»

category imprint: Source & stylistic information

issues: Foreign hand additions in manuscripts

notation: Pitch

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1