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p. 7, b. 142-161
p. 1, b. 1-24
p. 2, b. 25-49
p. 3, b. 50-75
p. 4, b. 76-103
p. 5, b. 104-124
p. 6, b. 125-141
p. 7, b. 142-161
p. 8, b. 162-182
p. 9, b. 183-207
p. 10, b. 208-228
p. 11, b. 229-248
p. 12, b. 249-269
p. 13, b. 270-292
p. 14, b. 293-312
p. 15, b. 313-332
p. 16, b. 333-352
p. 17, b. 353-373
p. 18, b. 374-399
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
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IE1 - First Italian edition
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  b. 154

d2 in sources

d2 suggested by the editors

Harmonic reasons – a B minor chord is a more natural introduction to the key of F minor in the next bar than its major counterpart – provide an argument for the omission of the  to the top note of the chord at the beginning of the bar (d2, and not d2). This conclusion is confirmed by analogies with similar phrases – cf. bar 161 and 99.

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category imprint: Editorial revisions

issues: Omission of current key accidentals, Errors of A

notation: Pitch

Missing markers on sources: A, EE2, EE1, IE1, GE1, FE1