Fingering
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b. 2-4
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In EE the Sonata was edited by Brinley Richards; among others, he developed the fingering. We do not include his fingering version in the main text, as it is obviously inauthentic, while in the EE transcriptions we reproduce it using a smaller font in italics, reserved for fingering digits added by editors. In many places, e.g. in bar 16, the fingering was complemented or changed in EE2. On each page of the transcription, the notes concerning this fingering version can be found by selecting the "Fingering" tab from the "Notation" list. category imprint: Differences between sources issues: EE revisions |
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b. 16
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic L.H. fingering added by EE2. category imprint: Differences between sources issues: EE revisions |
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b. 17-19
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic R.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 23-24
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic R.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 28-30
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic fingering added by EE. The digit for g in bar 30 (1, i.e. the 2nd finger) is certainly wrong – it was supposed to be a 4 (i.e. the 5th finger). category imprint: Differences between sources issues: EE revisions , Errors in EE |
