



b. 165-166
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The top two-bar A slur reaches the 2nd crotchet in bar 166, which is almost certainly inaccurate – cf. the slurs between bars 169-170. The shorter GE slur (→FE,EE,IE) is an example of adjusting a mark to quaver beams. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 165
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A there are no naturals to the 4th, 6th and 8th L.H. quavers – B, e1, A. The accidentals were added in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 166-167
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A, at the end of bar 166, the last one in the line, the slur in the R.H. top voice is missing. However, at the beginning of bar 167 we can see the ending of a slur from the preceding bar. We assume that we are dealing with a slur whose range is analogous to the one in bars 170-171. In GE (→FE,EE,IE) this slur was not included. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , Errors in GE , Uncertain slur continuation |
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b. 166-167
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 166-168
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In EE1 the naturals before e2 in bars 166 and 168 (after the first crotchet) were omitted. Obvious errors were corrected in EE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |