|
b. 362
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
The missing G1 note at the beginning of the bar seems Chopin's mistake, as it is present in analogous figures in bar 360 and 364. One can ponder whether the unwritten note was supposed to be an element of the octave, as in bar 360, or a grace note, as in bar 364; stylistic arguments are not enough to resolve this doubt. However, the latter seems more likely – in A the gap before the 1st note in bar 362 is clearly bigger than the resulting from the density of notation in this part of the page, which could be indicating an oversight of a planned element, e.g. a grace note. category imprint: Editorial revisions |
|||||||||||
|
b. 363-364
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
|||||||||||
|
b. 364
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
It is difficult to say why EE added performance markings modelled after bars 359-362 only in this bar, and not in the preceding or the next one. In the main text we keep the notation of A and of the remaining editions, in which the markings from the aforementioned bars are to be naturally continued in bars 363-366. category imprint: Differences between sources issues: EE revisions |
|||||||||||
|
b. 364
|
composition: (Op. 4), Sonata in C minor, Mvt IV category imprint: Editorial revisions |
|||||||||||
|
b. 365-366
|
composition: (Op. 4), Sonata in C minor, Mvt IV
category imprint: Editorial revisions issues: No pedal release mark , Inaccuracies in A |
to the 4th quaver in bar 363 (e2) and to the last crotchet in bar 364 (a). Moreover, Chopin did not write a cautionary 
to b
at the beginning of bar 363. All the accidentals were added in 
in 
] suggested by the editors