Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
(Op. 4), Sonata in C minor, Mvt IV
In A each L.H. note on a ledger line – E, C, E
, F
1 – is provided with a "tail", which, in a relevant context, could be considered an additional crotchet stem pointing downwards. It would make sense in the case of E and F1, but C and E prove that it is simply a writing manner.
Cf., e.g. the Etude in F, Op. 10 No. 8, bars 4-7.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Source & stylistic information
issues: Uncertain notes on ledger lines
notation: Rhythm