Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
(Op. 4), Sonata in C minor, Mvt IV
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d2 in sources |
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d |
The version of the sources is almost certainly erroneous, which is supported by the following arguments:
- harmonic reasons – a B
minor chord is a more natural introduction to the key of F minor in the next bar than its major counterpart; - analogy with the next phrase – in an identical phrase 4 bars later (bar 161), there is no doubt as to the use of a minor chord;
- the melodic line of the theme from which the discussed phrase stems (bars 96-99) – in bar 99 there is a b, and not b, which would correspond to the d2 note in the discussed place.
Therefore, in the main text we provide d2.
category imprint: Editorial revisions
issues: Omission of current key accidentals, Errors of A
notation: Pitch
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