Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 378

composition: (Op. 4), Sonata in C minor, Mvt IV

No sign in A (→GEFE,EE1,IE)

Arpeggio sign in EE2

..

In EE2 an arpeggio was added before this chord, which seems to be a mistake.

category imprint: Differences between sources

issues: EE revisions

b. 379

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In the main text we add cautionary accidentals, flats to A-a and naturals to F-f.

category imprint: Editorial revisions

b. 379

composition: (Op. 4), Sonata in C minor, Mvt IV

 in A (→GEFE,IE)

 in EE

..

It is uncertain whether the change of  to  is a mistake or a revision by EE.

category imprint: Differences between sources

issues: EE revisions , Errors in EE , fz – f

b. 379

composition: (Op. 4), Sonata in C minor, Mvt IV

in A

No marking in GE (→FE,EE,IE)

..

The absence of  in GE (→FE,EE,IE) is most probably an oversight by the engraver.

category imprint: Differences between sources

issues: Errors in GE

b. 379

composition: (Op. 4), Sonata in C minor, Mvt IV

Indication below lower staff in A

Indication above upper staff in GE (→FE,EE,IE)

..

In the main text we keep the position of the sempre ben marcato indication under the L.H. part, as it is in A, although it is difficult to assume that it concerns L.H. only. On the other hand, if Chopin had wanted to put it over the R.H. part, as it was reproduced in GE (→FE,EE,IE), he could have easily done it, which means that he carefully thought out the position of the indication.

category imprint: Differences between sources

issues: GE revisions