The notation of the sextuplet that ends the bar does not contain a mistake in A, hence we keep it in the main text, although it is not entirely clear why the two a
1 quavers should be separated as the top voice. The sextuplet's interpretation of GE (→FE,EE,IE) is also justified, as in many cases A stems do not reach their respective beams (examples thereof are to be found even in this bar), and it could have been considered that the e1 stem pointing upwards should reach the beam of the top quaver beaming. This version suggests that the main melodic line is constituted by the following notes: a1-e1-a1-b1-c2, which seems musically convincing.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources
issues: Inaccuracies in A
notation: Rhythm
