FE1
Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
compare
  b. 15

a1 tied in A, less likely reading

b1-c2 slur in A, contextual interpretation

a1 tied & b1-c2 slur in GE (→FE,EE,IE)

It is unclear which notes the middle one of the 3 slurs/ties combining the chords on the 3rd and 4th beat of the bar in A concerns – a1 (which would make it a tie) or b1-c2. According to us, although its left-hand ending is at the pitch of a1, it is the other possibility that is more likely, that is a b1-c2 slur. It is supported by the following arguments:

  • graphic similarities between all 3 slurs – their right-hand endings are placed higher, which suggests that all of them concern the ascending second motifs, d1-e1b1-c2d2-e2;
  • the comparison with the preceding bar, in which, in an analogous situation, Chopin wrote 2 slurs clearly referring to the ascending motifs, which indicates that a1 should be repeated.

In GE (→FE,EE,IE) the problem was "solved" by adding a 4th slur, which is an arbitrary decision frequently encountered in Chopin's pieces – cf., e.g. mov. IV of the Sonata, bar 57.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions

notation: Rhythm, Slurs

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Original in: Bibliothèque Nationale de France, Paris