Page: 
Source: 
p. 1, b. 1-24
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-80
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 13-14

in bar 14 in A

No marking in GE (→FE,IE)

in bar 13 in EE

In GE (→FE,EE,IE) the  mark entered into A in bar 14 was omitted. In EE this mark was added at the end of bar 13; although it seems to be a good time to release the pedal, it does not include the effect envisioned by Chopin, that is the unexpected bass octave overlapping the sound of the incomplete chord from the preceding bar.
The same applies to bars 45-46. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Errors in GE

notation: Pedalling

Missing markers on sources: A, GE1, FE1, EE1, EE2, IE1