mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt II

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Pedalling

b. 13-14

composition: (Op. 4), Sonata in C minor, Mvt II

in bar 14 in A

No marking in GE (→FE,IE)

in bar 13 in EE
..

In GE (→FE,EE,IE) the  mark entered into A in bar 14 was omitted. In EE this mark was added at the end of bar 13; although it seems to be a good time to release the pedal, it does not include the effect envisioned by Chopin, that is the unexpected bass octave overlapping the sound of the incomplete chord from the preceding bar.
The same applies to bars 45-46. 

category imprint: Differences between sources

issues: EE revisions , Errors in GE

b. 15

composition: (Op. 4), Sonata in C minor, Mvt II

 before 3rd crotchet in A

 under 3rd crotchet in GE (→IE)

 after 3rd crotchet in FE & EE
..

In the main text we reproduce the  mark after A. In GE (→IE) it was moved under the 3rd crotchet, while in FE and EE even further.
The same applies to bar 47. 

category imprint: Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies

b. 45-46

composition: (Op. 4), Sonata in C minor, Mvt II

in bar 46 in A

No marking in GE (→FE,IE)

in bar 45 in EE
..

As in bars 13-14, of which these bars are a non-written-out repetition, in GE (→FE,EE,IE) the  sign written in A in bar 46 was omitted, while EE added this sign at the end of bar 45.

category imprint: Differences between sources

b. 47

composition: (Op. 4), Sonata in C minor, Mvt II

 before 3rd crotchet in A

 under 3rd crotchet in GE (→IE)

 after 3rd crotchet in FE & EE
..

As in bar 15, of which this bar is a non-written-out repetition, in the main text we reproduce the  sign after A. In GE (→IE) it was moved under the 3rd crotchet, while in FE and EE even farther.

category imprint: Differences between sources