mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt II

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Articulation, Accents, Hairpins

b. 41-42

composition: (Op. 4), Sonata in C minor, Mvt II

 &  in A (→GE→FE,IE)

No signs in EE
..

As in bars 9-10, of which these bars are a non-written-out repetition, EE overlooked the dynamic hairpin concerning the R.H. part.

category imprint: Differences between sources

b. 42

composition: (Op. 4), Sonata in C minor, Mvt II

Staccato dot in A

No mark in GE (→FE,EE,IE)
..

As in bar 10, of which this bar is a non-written-out repetition, the missing dot is most probably an oversight by the GE engraver (→FE,EE,IE). 

category imprint: Differences between sources

b. 44

composition: (Op. 4), Sonata in C minor, Mvt II

Staccato dot in GE (→FE,IE)

No mark in EE
..

The missing dot in EE is most probably the engraver's oversight.

category imprint: Differences between sources

b. 45-46

composition: (Op. 4), Sonata in C minor, Mvt II

Staccato dots in A

Wedges in GE (→FE,EE,IE)
..

As in bars 13-14, of which these bars are a non-written-out repetition, we interpret the 4 staccato marks in A as dots. We consider the wedges used in GE (→FE,EE,IE) much less likely.

category imprint: Graphic ambiguousness; Differences between sources

b. 46

composition: (Op. 4), Sonata in C minor, Mvt II

Accent in A (→GE→IE)

No mark in FE & EE
..

As in bar 14, of which this bar is a non-written-out repetition, the missing accent in FE and EE is most probably due to the engravers' oversight.

category imprint: Differences between sources