Page: 
Source: 
p. 1, b. 1-24
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-80
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 13-14

Staccato dots in A

Wedges in GE (→FE,EE,IE)

We interpret the 4 staccato marks visible in A as dots, although the first and fourth could be considered wedges if the context were different. This fact partially explains the use of wedges in GE (→FE,EE,IE). Nevertheless, we consider this interpretation much less likely.
The same applies to bars 45-46.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE, Wedges, Inaccuracies in A

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, GE1, FE1, EE1, EE2, IE1