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In the main text we suggest a more legible version of the 2nd and 3rd beat in the R.H. part than the original one. Our suggestion is justified by a situation in mov. IV of the Sonata in which Chopin used two different versions of notation in the same phrase: the first time he wrote down a chord using ties within a bar – cf. bar 57 and 61 – and the second time he switched to a neater version with the use of greater rhythmic values and division into parts.
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category imprint: Editorial revisions
notation: Rhythm