Page: 
Source: 
p. 7, b. 125-142
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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Graphic ambiguousness
Interpretations within context
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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Important
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  b. 135-139

Slur in b. 135 in A, literal reading

Slur in b. 135 in GE (→FE,EE,IE)

Slur to b. 139 suggested by the editors

In A Chopin did not finish the slur he started writing in the preceding line in bar 135. It must be an oversight, hence in the main text we lead the slur to the beginning of bar 139, after a similar phrase in bars 119-123. The editions considered the ending of the slur in bar 135, suggesting that it should be continued, to be inaccurate, as a result of which it was led only to the last quaver in bar 135.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Inaccurate slurs in A, GE revisions, Uncertain slur continuation

notation: Slurs

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2