Page: 
Source: 
p. 2, b. 23-42
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 42

 in A, literal reading

 in GE (→FE,EE,IE)

Long accent, our alternative suggestion

In the main text we provide the literal interpretation of the  mark after A. However, according to us, it could be inaccurate, as it seems that it would be natural for the mark to emphasise the six-four chord at the beginning of the bar, on which the cadence culminates. Due to the above, we consider the GE version (→FE,EE,EE) to be equal; as far as our alternative suggestion is concerned, which is a long accent, we deem it possible as well.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: Long accents, Inaccuracies in GE, Scope of dynamic hairpins

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2