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p. 10, b. 184-206
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
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EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 187-188

Slurs from 2nd quaver  in A, literal reading

Slurs from 1st quaver in GE (→FE,EE,IE)

The A slurs are most probably inaccurate, which was deciphered already in GE (→FE,EE,IE). The majority of similar motifs are devoid of slurs, yet the first one provided with a slur (bar 17) clearly shows how Chopin envisioned its range in such situations. The fact that the slurs should end before the rest is also evidenced by the authentic slurs in bars 90-91 and 92-93. The issue concerning the slur's starting point – see the note on bars 17-20.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccurate slurs in A, GE revisions

notation: Slurs

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2