Page: 
Source: 
p. 10, b. 184-206
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 202

In A the arpeggio wavy line is written on the right of the chord, which, according to us, does not influence the meaning of this mark. We reproduce this notation only in the graphic transcription (version "transcript"). The editions placed the mark in its regular position, before the chord. This kind of notation is to be occasionally found in other pieces by Chopin, e.g. in the Polonaise in C minor, Op. 40 No. 2, bar 52. Similarly, in bar 215, as well as in IV mov. of the Sonata, bar 6.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: GE revisions, Inaccuracies in A

notation: Ornaments

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2