Page: 
Source: 
p. 1, b. 1-22
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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Graphic ambiguousness
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 17-20

The beginnings of the L.H. slurs fall on the 1st or the 2nd note of the half-bar figures. It must be an inaccuracy caused by the presence of the minims prolonging the 1st quaver of each figure. Chopin tried to avoid a clash of the slur with the note, which, considering quick pen movements, made the beginning of the slur occur already under the 2nd quaver. It was already GE that assessed this situation in this way (→FE,EE,IE).

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category imprint: Graphic ambiguousness; Source & stylistic information

issues: Inaccurate slurs in A, GE revisions

notation: Slurs

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2