mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt I

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Page: 
Source: 
p. 8, b. 143-162
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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Graphic ambiguousness
Interpretations within context
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
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Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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Important
Main
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  b. 160-162

Slurs from 2nd quaver to next bar in A

Slur over 2nd halves of bars after GE (→FE,EE,IE)

The change of the range of slurs introduced by GE (→FE,EE,IE) illustrates the manner of adjusting slurs (and dynamic hairpins) to easily perceptible rhythmic structures, in this case halves of bars.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Slurs

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2
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