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c1 & c2 in FE |
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c1 (with |
The sound of the 4th L.H. quaver and the 6th R.H. quaver may be questionable, which is evidenced by, e.g. the revisions of FE and IE and EE2, going in the opposite direction. According to us, both the harmonic context (F major chord as a resolution of the seventh chord constituting the harmonic basis in this bar) and the R.H. figuration melodic structure (Chopin would generally use bottom foreign notes a semitone away from chord tones, hence in this case e
2 on the 4th quaver and c2 on the sixth one) make a very strong case for them to be read as c1 and c2, which we emphasise in the main text with a cautionary 
to c1.
category imprint: Differences between sources; Editorial revisions
issues: EE revisions,
notation: Pitch