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p. 9, b. 163-183
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 170

f3 repeated in A, original notation

f3 tied in GE (→FE,EE,IE)

f3 repeated, notation suggested by the editors

The A notation is overly complicated here (perhaps due to corrections), which hampers the interpretation. In the main text we replace it by a version that clearly shows which notes are to be played and how long they are to be held. This kind of notation, in which one key press corresponds to – if possible – one note, was willingly used by Chopin, cf., e.g. bar 80, L.H. or IV mov., bar 386, R.H. In GE (→FE,EE,IE) the A version with a tie to d3 was arbitrarily supplemented with a tie to f3, as a result of which the note on the 3rd quaver in the bar was not played.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

notation: Rhythm

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2