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b. 240
|
composition: (Op. 4), Sonata in C minor, Mvt I
..
The deletions visible in A at the beginning of the bar reveal that Chopin initially wrote d category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Cautionary accidentals , Deletions in A , Enharmonic corrections |
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b. 241-244
|
composition: (Op. 4), Sonata in C minor, Mvt I
..
In the main text we do not include the inauthentic fingering concerning the R.H. thirds added by EE. category imprint: Differences between sources issues: EE revisions |
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|
b. 244
|
composition: (Op. 4), Sonata in C minor, Mvt I
..
In the main text we add cautionary naturals to the F1-F octave. category imprint: Editorial revisions |
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b. 245
|
composition: (Op. 4), Sonata in C minor, Mvt I
..
In the main text we do not include the inauthentic fingering concerning the R.H. octaves added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 245-246
|
composition: (Op. 4), Sonata in C minor, Mvt I
..
In A Chopin overlooked the flats restoring b category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE , Errors repeated in IE |
1 as the bottom note of the 1st chord, accompanied by F
to the next d1 crotchet was most probably meant to cancel the alteration and not to perform the role of a cautionary accidental following d
in the preceding bar.
