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b. 17-21
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composition: (Op. 4), Sonata in C minor, Mvt I
..
In the main text we omit the inauthentic L.H. fingering added by EE in bar 17 and 21. category imprint: Differences between sources issues: EE revisions |
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b. 17-20
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composition: (Op. 4), Sonata in C minor, Mvt I
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The beginnings of the L.H. slurs fall on the 1st or the 2nd note of the half-bar figures. It must be an inaccuracy caused by the presence of the minims prolonging the 1st quaver of each figure. Chopin tried to avoid a clash of the slur with the note, which, considering quick pen movements, made the beginning of the slur occur already under the 2nd quaver. It was already GE that assessed this situation in this way (→FE,EE,IE). category imprint: Graphic ambiguousness; Source & stylistic information issues: Inaccurate slurs in A , GE revisions |
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b. 17
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composition: (Op. 4), Sonata in C minor, Mvt I
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The lack of a slur in FE is most likely an oversight on the part of the engraver. category imprint: Differences between sources issues: Errors in FE |
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b. 17
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we omit the (cautionary?) category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 18
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we suggest here a slur modelled after the preceding bar, since there is no doubt that in this context both motifs should be performed analogously. #FE2 also added a slur. category imprint: Editorial revisions |
before d2 that appears in all sources.
