Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
(Op. 4), Sonata in C minor, Mvt I
In A one can see traces of removal (erasure) of the slurs combining each of the grace notes with the respective main notes. Perhaps Chopin did not want to suggest an unisono performance of this bar (with tenth leaps in both hands), as he allowed for the possibility of playing the e
-e1 octave with the R.H., while the C-c one with the L.H.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A
notation: Slurs
