Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
(Op. 4), Sonata in C minor, Mvt I
In bar 171 and 173-174 Chopin was consistent in the use of accidentals when writing L.H. octaves in A, which means that he put them only to the top notes. This simplified notation was complemented by GE (→FE,EE,IE), where all the omitted accidentals were added.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Accidentals in different octaves, GE revisions, Inaccuracies in A
notation: Pitch
