Page: 
Source: 
p. 13, b. 225-240
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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Graphic ambiguousness
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 229

  in A (→GE)

No markings in FE (→EE1)

   in EE2

Our variant suggestion

Chopin probably added a pedal change in this bar to A after [FC], the basis for FE, had been finished. However, both versions can be considered equal, since in similar situations, when the following passage is based on the same chord, Chopin would use a continuous pedal, as in the FE version (→EE1). The pedal markings of EE2 were added on the basis of GE1, yet the  mark was placed inaccurately.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, EE inaccuracies

notation: Pedalling

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2