mUltimate Chopin

Page:

Source:

p. 9, b. 148-163

p. 1, b. 1-20

p. 2, b. 21-42

p. 3, b. 43-60

p. 4, b. 61-75

p. 5, b. 76-90

p. 6, b. 91-105

p. 7, b. 106-126

p. 8, b. 127-147

p. 9, b. 148-163

p. 10, b. 164-178

p. 11, b. 179-198

p. 12, b. 199-224

p. 13, b. 225-240

p. 14, b. 241-255

p. 15, b. 256-271

p. 16, b. 272-293

p. 17, b. 294-315

p. 18, b. 316-332

Main text

A - Autograph

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Revised impression of GE1

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

Select notes:

mark annotations

Category

Notation

Differences

No differences

A - Autograph

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Revised impression of GE1

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

Importance

Undo Clear

transcript

Prezentacja

Select

copy link PDF Main text

b. 153

No marks in A (→GE) & FE1

Accents in FE2 (→EE)

In the main text we include the accents added – certainly by Chopin – at the stage of proofreading FE2 (→EE). The marks were added in a place without any dynamic indications, since is present only in A (→GE). Therefore, one can ponder whether Chopin did not regard these markings as an alternative. The fact that they should not be considered separately, which is what we believe, is supported by analogous bar 233, in which Chopin added to A both and the accents.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2

Complete ➔

Op. 49, Fantaisie in F minor