mUltimate Chopin

Op. 49, Fantaisie in F minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 7, b. 106-126
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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Graphic ambiguousness
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 123

at end of bar in A (→GE)

 in first half of bar in FE (→EE)

The FE pedalling is probably earlier. This is evidenced by the unfinished  asterisk, crossed out in A in the same place in which a  is present in FE. It is likely that Chopin added pedal markings in this fragment first to [FC], and then, while adding them to A, he assumed that the pedal should be held longer (he also added markings in the three subsequent bars).

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Corrections in A, Deletions in A

notation: Pedalling

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2
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