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Source: 
p. 2, b. 21-42
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 22-36

In A in bars 21-36 Chopin carefully provided all L.H. crotchets with staccato dots (except the last two ones in bar 36). GE reproduced these marks with one mistake – the dot for the 1st crotchet in bar 22 was overlooked. By contrast, FE and EE are much more deficient; there is no doubt that the oversights occurred for extra-musical reasons. Below is a list of the overlooked dots in particular editions (bar number/beat):

  • in FE 22/1, 23/2, 24/1, 25/2, 25/4, entire bar 30, 32/1 and 35/4;
  • EE1 repeated the FE version, adding a dot in 25/2; however, the following dots were additionally overlooked: 24/4, 31/2, 31/4, 32/4, 33/1, 35/4, 36/1;
  • in EE2 the EE1 version was supplemented with a dot in 33/1; the dots in 26/4 and 34/4 were additionally overlooked. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Errors in FE, Errors in EE, Errors in GE

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2