Page: 
Source: 
p. 7, b. 106-126
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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Pitch
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Articulation, Accents, Hairpins
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 110-114

 in A, literal reading

in GE1

 in GE2

in FE (→EE)

3 long accents suggested by the editors

We consider the  marks visible in A in bar 110, 112 and 114 to be long accents, in spite of them being longer than typical accents. The GE marks are inaccurate, which clearly changes their meaning in this case (this inaccuracy was not repeated by GE2 while correcting the GE1 oversight in bar 112 – the  added by GE2 are compliant with the A notation). In FE (→EE) the marks are also longer than the ones in A, yet their meaning is similar, which suggests that they could be authentic, if, e.g. Chopin were adding them to [FC] or while proofreading FE1 independently from the marks added to A.

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category imprint: Differences between sources

issues: Long accents, Inaccuracies in GE, Inaccuracies in FE, Errors in GE, GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2