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Op. 49, Fantaisie in F minor

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b. 33

composition: Op. 49, Fantaisie in F minor

..

In FE1 the R.H. bottom voice rest on the 3rd beat was overlooked. The defect was corrected in FE2 (→EE).

category imprint: Differences between sources

issues: Errors in FE , FE revisions

b. 42

composition: Op. 49, Fantaisie in F minor

..

In GE1 there is a crotchet rest on the top stave at the beginning of the bar. The mistake resulted from confusing this bar with bar 43. See the note above.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 43

composition: Op. 49, Fantaisie in F minor

 in A (→GE) & FE2 (→EE)

 in FE1
..

The change of  to  is a very common inaccuracy in Chopin's editions by M. Schlesinger – see note in bar 43.

category imprint: Differences between sources

b. 43

composition: Op. 49, Fantaisie in F minor

 in A (→GE) & FE2 (→EE)

 in FE1
..

The change of  to  is a very common inaccuracy in Chopin's editions by M. Schlesinger – see note to Etude in C, Op. 10 No. 1. At this point, the alleged change of marking would only be a reminder of the time signature in force from the beginning of the piece. The error was corrected – perhaps at Chopin's request – in FE2 (→EE).

category imprint: Differences between sources

issues: Errors in FE , Authentic corrections of FE

b. 44-57

composition: Op. 49, Fantaisie in F minor

..

In A Chopin wrote fermatas only over the semibreve chords in bar 44, 46, 55 and 57, as well as over the doubled octave in bar 53. Through [FC] this notation found its way to FE. In the remaining editions separate marks for the L.H. part were added (generally under the bottom stave) – in GE in all places except bar 55, while in EE – except bar 55 and 57. In the main text we add fermatas under the bottom stave in all these places.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions