b. 56
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composition: Op. 49, Fantaisie in F minor
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In A there is no to the 2nd quaver in the bar, which found its way into FE through [FC]. The patent inaccuracy was corrected in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 57-58
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composition: Op. 49, Fantaisie in F minor
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The missing tie to g in A (→GE) and FE could be Chopin's oversight, which is indicated by the comparison with analogous bars. It is probably on the basis thereof that a tie was added by EE, which we include in the main text in this situation. It is worth noting that the need of playing g at the beginning of bar 58 (due to the missing tie) could be related to the fact that in this bar the slur begins earlier – this is the only place (among 8 analogous situations), in which the A slur clearly runs from the beginning of the bar. According to us, however, it is a coincidence. category imprint: Differences between sources issues: EE revisions , Errors of A |
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b. 58
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composition: Op. 49, Fantaisie in F minor
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The comparison with analogous bars – see the note on bar 43 – points to a possible mistake by Chopin, as far as the placement of the slur's beginning is concerned. Due to this, in the main text we suggest a slur whose range corresponds to the slurs' range in the analogous bars. See also the note on bars 57-58. category imprint: Editorial revisions |
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b. 58
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composition: Op. 49, Fantaisie in F minor
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In FE1 the ties to B-f were overlooked. The patent mistake (in this context) was corrected in FE2 (→EE). category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 61
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composition: Op. 49, Fantaisie in F minor
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The missing fingering in EE1 is most probably an oversight by the engraver of this edition. The mistake was corrected in EE2. category imprint: Differences between sources issues: EE revisions , Errors in EE |