Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor




Op. 49, Fantaisie in F minor
The notation of accidentals in the first two chords in the bar differs significantly between the sources:
- In the 1st chord A and FE (→EE) include accidentals to each note. In GE1 the cautionary
to a
1 was overlooked, which was then added in GE2. In the main text we omit the cautionary sharps to the L.H. octave.
- In the second chord in A there are no accidentals to the outermost notes in the R.H. part, which, when interpreted literally, would result in c
1 and c
2. In FE (→EE) only a
to the top note was added, while in GE – to both, which we also adopt to the main text.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources; Editorial revisions
issues: Omissions to cancel alteration, GE revisions, Cautionary accidentals, FE revisions
notation: Pitch