Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 49, Fantaisie in F minor
The deleted 
mark at the beginning of this bar in A suggests that Chopin initially wanted to write one pedal for the octave motif in bars 197-198, and only then did he realise that this motif may overlap the fading out of the entire preceding passage.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Deletions in A
notation: Pedalling
