The accent in bar 312 could have been added to A after [FC] had been finished, which is indicated by it having been placed differently than the accent in bar 314 (under and not over the octave). The type of accents can give rise to doubts, since they are slightly longer than those at the beginning of bar 311, 313 and 315. The musical context suggests that all five marks should be considered equally (they concern crotchets separated by rests), which is confirmed by the unquestionable long accents in the middle of bar 313 and 315, clearly longer than all the remaining ones. In GE the two discussed accents were reproduced as long, while in FE (→EE1) the only mark in this edition in bar 314 – as short. In EE2 both accents are short – the former on the basis of FE2, while the latter – inaccurately repeated after GE1.
Despite their differing position, once under and once over the octave, both marks in A clearly concern the L.H., hence, for the sake of clarity, we place both under the octaves. In GE both accents were placed over the octaves; moreover, it was performed in an ambiguous manner, as far as their assignment to one of the hands is concerned.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Differences between sources
issues: Long accents, EE revisions, Placement of markings, GE revisions
notation: Articulation, Accents, Hairpins
