Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 49, Fantaisie in F minor
In the main text we provide the A slurs (→GE), consistently marking an internal division in both phrases, most probably to make the performance more malleable. The continuous FE slurs are also undoubtedly authentic and correspond with the calmer phrasing of the first appearance of this theme in bars 127-142.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Slurs
