EE2
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
compare
  b. 155-156

3 short accents in A (→GE) & EE2

1 short accent in FE (→EE1)

1 or 3 long accents, our variant suggestion

As in bars 68-69, both the A version with three accents and the FE one with one accent are authentic, hence they can be regarded as equal. Contrary to the aforementioned bars, as well as to the third analogous place in bars 235-236, in this case the A accents do not seem long, and none of the editions reproduced them as such. According to us, however, it is highly unlikely that this difference could have stemmed from something other than the inaccuracies in the notation of the discussed bars. In the variant solution of the main text (due to the number of accents), we suggest long accents.
In EE2 the accents were added on the basis of GE1.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: Long accents, EE revisions

notation: Pitch

Go to the music

.