Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 49, Fantaisie in F minor
The safest explanation for the absence of the accent in FE (→EE) would be it having been added to A after the basis for FE had been finished ([FC]). An oversight seems to be less likely if we take into account the absence of accents also in bar 144, 146, 148 and 150.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
notation: Articulation, Accents, Hairpins
