Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 49, Fantaisie in F minor
In A a few necessary accidentals are missing, which, however, does not make the text ambiguous. All the overlooked accidentals are naturals – in the R.H. before the 6th, 11th and 12th quavers in bar 91 (d3, b2 and d4) and in the 2nd and 3rd triplets in bar 92 (b2, d2, b1, d1) as well as in the L.H. part before the 4th chord in bar 91 (b, d2). In FE1 it was only the L.H. naturals that were added – Chopin could have done it while adding the arpeggios. FE2 added all the R.H. naturals except the first one. GE and EE include all necessary accidentals.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Accidentals in different octaves, GE revisions, Authentic corrections of FE, FE revisions, Inaccuracies in A
notation: Pitch