Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 49, Fantaisie in F minor
In A (→GE) the semibreve rest is placed on the bottom stave, over the semiquaver sequence. This notation may be misleading: the rest on the bottom stave concerns the L.H. (if it concerned the R.H., it would be on the top stave), yet it being over the semiquavers suggests a reverse hands position – the rest in the R.H., and the figuration in the L.H. Due to this fact, in the main text we put the rest under the semiquavers. In FE (→EE1) the rest was overlooked, while in EE2 it was added after GE1.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Errors in FE
notation: Rhythm
