Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 49, Fantaisie in F minor
In bar 44, 46, 55 and 57 we recreate the Chopinesque notation of slur endings used in A. They reach the end of the bar, which means that the rhythmic value of the last note should be observed to the end. This non-standard notation was not recreated by any of the sources – in GE 3 slurs were led to the crotchet in the next bar (bar 45, 47 and 58), while the remaining one, like all slurs in FE (→EE), reaches only the semibreve.
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions, FE revisions, Tenuto slurs
notation: Slurs
