Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 49, Fantaisie in F minor
In FCs the notation of the 2nd beat in the R.H. part is ambiguous (see transcript) – the top voice a
1 semiquaver was written clearly earlier than the bottom voice b (of unspecified rhythmic value). According to us, it is probably an inaccuracy resulting from, e.g. corrections to the Chopinesque sketch (change of g
1 to a1?), hence we interpret this notation in accordance with the final version.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Interpretations within context; Source & stylistic information
notation: Rhythm
